This simple setup grants us a perspective on a complex network of issues. A tracking shot connects this production of tears with reflections on cinemas conditions of production and reception. The central issue is the production of emotions in front of, on and behind the screen in the context of a changing conception of work.
Artist and filmmaker who lives and works in Hamburg
Filmography
2005 POSTCARDS FROM INSTANBUL
2007 AN ACTRESS TRIES TO CRY